How To Dress Like A Seventies Spy
This is not the how-to you’ve been waiting for? That’s too bad, as it’s the only wisdom I feel capable of imparting at the moment. I am endlessly fascinated by spies and dream about becoming one pretty much on a weekly basis. Unfortunately, I’m exceptionally badly suited for being a real-life spy, as I understand it involves blending in and keeping one’s mouth shut. So I focus on dressing like an imaginary spy instead.
Despite my love for spy-wear, I didn’t realise for the longest time that what I needed in my wardrobe was a vinyl caramel trench. How this wasn’t obvious to me is, in hindsight, a mystery. In my defense, as soon as I saw this River Island number*, I knew we were meant to be. I adore the colour and the slightly seventies vibe and it actually protects you from rain. The only downside is that this is made of completely unnatural stuff, so it doesn’t breathe. It’s pretty much like wearing wellies, but all over your body.
Although the coat is amazing, one probably needs something to pair it with. At least in most life situations. I went with a green satin slip dress (giving a nod to Michelle Pfeiffer in Scarface) and red disco heels. It’s all somewhat glossy, somewhat retro, but hopefully not too much. I really like these colours, textures and shapes together, but you can of course also team the coat with more everyday stuff. It would be a no-brainer with white and beige and brown, great with jeans, stunning with turquoise or raspberry.
Often, it’s not only what you wear or even how you wear it, but where you wear it. I like contrasts and wearing things in a surprising context. Credit for finding the perfect location for this shoot goes to my amazing photographer Krõõt. It’s a bar called Derevyashka in the outskirts of Tallinn, one of the very few seriously old school hangouts still remaining in the Estonian capital. It has become a bit of a tourist attraction for those in the know, but there aren’t yet too many of those and it still feels authentic (I hate that word, but you get the gist). Frankly, I’m pretty sure that wearing this coat in that bar was much better than being an actual spy.
Dressing as a character is a topic close to my heart and I will come back to it in a future blog post. Until then, what do you think of the look? What would you wear when spying?
*I saw it at a PR event when it wasn’t yet available in stores. So the coat you see on the pictures is not mine, but I have meanwhile ordered one for myself as well.
Coat by River Island, dress by & Other Stories, shoes by Zara. Makeup by Reet Härmat, hair by Helen Heinroos Hair, images by Krõõt Tarkmeel.
Oh yes, I have been waiting for these guidelines!!! One of the many things I love about your blog is exactly that idea, “dressing like a character”. You have such a great series of style references, from the cinematic to the literary to the musical, which somehow seems to resonate without ever seeming cliched. If I see one more magazine spread with a tired, overused phrase from a pop song as its inspiration… bah. When spying, I’m more likely to lurk outside the cafe than inside, with a big umbrella and a baleful expression, but then I give the game away by speaking too obviously into my sleeve.
Thank you! I have thoughts on this matter, but I’m planning to do a separate post, it would otherwise been too long. I have in fact been thinking for a long time that I should improve my movie knowledge and watch some classics/new releases to expand my style vocabulary (well, not ONLY for that reason, of course). So if you have recommendations about movies where you love the visual side, I’m all ears.
Oh boy. I love cinema as much as I love books, but my taste is all over the place. In terms of costumes, the 1930s Hollywood comedies are wonderful frothy fun (Fred Astaire and Cary Grant films, in particular, have astonishingly embellished leading ladies). My current favourite is The Awful Truth for Irene Dunne’s spectacular evening wear. All the usual Nouvelle Vague films for general moodiness and 60s style (Varda’s Cleo de 5 a 7 in particular), anything starring Alain Delon for absolute coolness (especially in Melville’s films), and Chytilova’s Daisies for stylish anarchy. Two very beautiful films (in colour!) are Satyajit Ray’s The Chess Players (nineteenth-century Mughal empire meets Victoriana) and Sergei Paradjanov’s The Colour of Pomegranates (eighteenth-century Armenia), which made me obsessed with cameos and lace. It’s one of the most extraordinary films I’ve seen.
And I LOVE this bar! That trippy wallpaper and reflective ceiling, wow…
What an amazing list! And I happen to think that taste that is all over the place is the best taste. The Colour of Pomegranates has been on my list for ages, btw.
Now this, this is a mood! Character dressing is basically an obsession but I rarely manage to pull it off successfully so I look forward to reading more of your thoughts on the subject. You look ah-mazing.
Thank you so much! I plan to write about it next week. Need to get the skincare edit done first. And I still have a leopard look to share as well…
That wallpaper is everything.
The entire place is pretty unbelievable.
I love the color combo and textures, though emerald green silk and glossy patent are definitely not inconspicuous as I would imagine a spy would aim for.
As I said, I’m exceptionally badly suited for this job.